Stephen Bann
Bibliographie
Ouvrages de l'auteur et directions d'ouvrages
Field after Francis Ponge, Nottinghampshire: Tarasque Press, s.d.
Concrete poetry: An International Anthology, London: Magazine Ed., 1967. [Dir. de publ.].
Experimental Painting: Construction, Abstraction, Destruction, Reduction, London: Studio Vista; New York: Universe Books, 1970, 144 p.
Russian Formalism, Edimbourg: Scottish Academic Press; New York: Van Nostrand Reinhold, 1972. [En collaboration avec J. Bowlt].
The Tradition of Constructivism, New York: Viking Press; London: Thames & Hudson, 1974, (Documents of 20th century art series). [Dir. de publ. et trad. Réédité en 1989, New York: Da Capo Press].
Heroic Emblems, Vermont: Z Press, 1977. [En collaboration avec Ian Hamilton Finlay].
The Clothing of Clio: A Study of the Representation of History in Nineteenth-Century Britain and France, Cambridge: Cambridge University Press, 1984, 196 p.
The True Vine: On Visual Representation and the Western Tradition, Cambridge; New York: Cambridge University Press, 1989, 286 p.
The Inventions of History: Essays on the Representation of the Past, Manchester: University Press, 1990.
Interpreting Contemporary Art, London: Reaktion Books; New York: Harper Collins, 1991. [Dir. de publ. avec W. Allen].
Utopias and the Millenium, London: Reaktion Books, 1993. [Dir. de publ.].
Under the Sign: John Bargrave as Collector,Traveler and Witness, University of Michigan Press, 1994.
Romantism and the Rise of History, New York: Twayne's studies in intellectual and cultural history, 1995.
The Sculpture of Stephen Cox, London: The Henry Moore Foundation with Lund Humphries, 1995.
Paul Delaroche: History Painted, London: Reaktion Books: Priceton University Press, 1997.
Frankeinstein, Creation and Monstruosity, London: Reaktion Books, 1997. [Dir. de publ.]
Parallel Lines: Printmakers, Painters and Photographers in Nineteenth-Century France, New Haven & London: Yale University Press, 2001.
Ouvrages collectifs
'A Context for Concrete Poetry', in Studies in the arts, s.l.: Blackwell, 1967. [Sous la dir. de F. Warner].
'Une Utopie matérialisée', in Colloque d'Esthétique appliquée à la création du paysage urbain, Paris: s.n., 1975, p.91-103.
'L'Oeuvre d'art dans la ville: le Talon de Saint-Thomas', in La Ville n'est pas un lieu: revue d'esthétique n°3-4, Paris: Union générale d'éditions, 1977, (Collection 10/18), p.121-135.
'Théorie et pratique de la traduction au sein du Groupe de Coppet', in Le Groupe de Coppet / S. Balayé et J-D Candaux, Genève: Société des études staeliennes, 1977.
'Structuralism and the Revival of Rhetoric', in The Sociology of litterature, s.l.: Sociology Review monograph, 1977. [Sous la dir. de J. Routh et J. Wolff].
'British Art in Jubilee Year = L'Art anglais pendant l'année du Jubilé', in Skira Annual: Skira annuel: actual art = art actuel, Genève: Skira, 1977, p. 140. [fre/eng]
'Abstract Art: a language ?', in Towards a New Art, London: Tate Gallery Publ., 1980.
'The Color in the Text: Ruskin's Basket of Strasbourgeois', in The Ruskin Polygon, Manchester: University Press, 1981.
'Ranke, Barante and Waterton, or the Historian as Taxidermist', in Comparative criticism, s.l.: Yearbook, CUP, 1981.
'Writing on Giorgione', in M.A. Abbas et TT-W Wong. Literary Theory today, Hong Kong: University Press, 1981.
'Izaak Walton et John Donne', in John Donne, Paris: s.n., 1983.
'Le Sérieux de l'emblème', in Figures du baroque, Paris: s.n., 1983.
'Constructivisme', in Les Avants-gardes littéraires au XXè siècle, s.l.: Hungarian Academy of Sciences, 1984.
'Eternal Returns and the Singular Subject', in Re-writing Litterary History, Hong Kong: University Press, 1984.
'Poetics of the museum: Lenoir and Du Sommerard', in The Clothing of Clio: a study of the representation of history in nineteenth-century Britain and France, Cambridge: Cambridge University Press, 1984, p.77-92.
[Notes introductives et commentaires], in Ian Hamilton Finlay: a visual primer, London: Reaktion Books, 1985.
'How revolutionary is the New Art History', in The New Art History, London: Camden Press, 1986.
'Ruskin, Kenneth Clarke and after', 'From Captain Cook to Neil Armstrong', in Projecting the landscape, s.l.: Australian National University, 1987.
'Afterword', in The Apocrypha, New York: s.n., 1986.
'Art', in D. Cohn-Sherbok, Exploring Reality, s.l.: Unwin, 1987.
'Romanticism in France', in Romanticism in National Context, s.l.: CUP, 1988.
'Adrian Stokes: english aesthetic criticism under the impact of psychoanalysis', in Freud in Exile: psychoanalysis & its vicissitude, New Haven & London: Yale University Press, 1988.
'The Sense of the past: image, text and object in the formation of historical consciousness in nineteenth-century Britain', in The New Historicism, New York; London: Routledge, 1989.
'From Captain Cook to Neil Armstrong: colonial exploration and the structure of landscape', in Reading Landscape: country, city, capital, Manchester: University Press, 1990.
'Russian Constructivism and its European Resonance', in Art into life: Russian Constructivism 1914-1932, New York: Rizzoli, 1990.
'Die wilden Gestade der Liebe', 'Cy Twonblys streuende Zeichen', in Pradoxien, Dissonanzen, Zusammenbreche, Frankfurt: Suhrkamp, 1991.
'Jannis Kounellis and the Question of High Art', in Interpreting Contemporary Art, London: Reaktion Books; New York: Harper Collins, 1991.
'L'Histoire et le peuple-héros: Augustin Thierry et Thomas Carlyle', in Révolution française, peuple et littérature, Paris: André Peyronic, 1991.
'The Garden of Ian Hamilton Finlay', 'The Garden and the Visual Arts: Arcadia, post-classical and Land Art', in The History of Garden Design: from the renaissance to present day, London: Thames & Hudson, 1991.
'Le Glissement vers le subjectivisme ? William Hazlitt et la genèse de la critique d'art anglaise', in Actes du colloque La Place du goût dans la production philosophique des concepts et leur destin critique, Châteaugiron: Archives de la critique d'art, 1992, p.86-99.
'Reflections on the Industrial Sublime', in La Cultura italiana e le letterature straniere moderne, Bologna: University of Bologna, vol.II, 1992.
'Erased Physiognomy: Théodore Géricault, Paul Strand and Garry Winogrand', in The Portrait in Photography, London: Reaktion Books, 1992.
'The Framing of Material: around Degas' Bureau de coton', in Künstlerischer Austauch, artistic exchange, akten des XXVIII Internationalen Kongresses fur Künstgeschichte, Berlin: Akademie Verlag, 1993.
'Barthes et Cy Twombly: une écriture picturale', in Barthes après Barthes, Pau: Publications de l'Université, 1993.
'The Inscription in The Garden', in Bild und Text im Dialog, Passau: Wissenschaftsverlag Rothe, 1993, p.354-354.
'Bernard Lassus: the garden landscape: a popular aesthetic', in The Vernacular Garden, s.l.: s.n., 1993.
'Mort et métamorphose: à propos de la morgue d'Andres Serrano', in Andres Serrano: le sommeil de la surface, Arles: Actes Sud, 1994, p.83-95.
'Foreword', in Tekstura, Russian essays on visual culture, University of Chicago Press, 1994.
'Wilder Shores of Love: Cy Twombly's straying signs', in Materialities of Communication, Stanford: Stanford University Press, 1994.
'Generating the Renaissance, or the Individualization of Culture', in The Point of Theory: practices of cultural analysis, Amsterdam University Press, 1994.
'Travelling to collect: the booty of John Bargrave and Charles Waterton', in Travellers' Tales: narratives of home and displacement, New York; London: Routledge, 1994.
'Shrines, Curiosities, and the Rhetoric of Display', in Visual Display: Culture beyond Appearances, Seattle: Bay Press; New York: Dia Center for the Arts, 1995, p.15-29, (Discussions in Contemporary Culture; 10).
'Foreword to Jean-Louis Schefer', in The Deluge, the Plague: Paolo Uccello, University of Michigan Press, 1995.
'Four Essays on the Work of Ian Hamilton Finlay from 1996, 1977, 1980 and 1992', in Wood notes wild: essays on the poetry and art of Ian Hamilton Finlay, Edinburgh: Polygon, 1995.
'Semiotics', in The Cambridge History of Literary Criticism, Cambridge: Cambridge University Press, vol.8, 1995.
'Cadre et théorie du nuage dans le Bureau de coton à la Nouvelle Orléans de Degas', in Cadres & marges: actes du 4è colloque du CICADA, Pau: Publications de l'Université, 1995, p.53-58.
'La Carte, indice du réel', in Actes du colloque Le Jardin, art et lieu de mémoire, Paris: Ed. de l'Imprimeur, 1995, p.447-460.
'The Cabinet of Curiosities as a Model of Visual Display: a note on the genealogy of the contemporary art museum', in Définitions de la culture visuelle: revoir la new art history = Definition of Visual Culture: the New Art History revisited, Montréal: Musée d'art contemporain, 1995, p.61-70.
'A Cold coming: Brice Marden's wager with tradition', in Robert Lehman: Lectures on Contemporary Art, New York: Dia Center for the Arts, 1996, p.43-61.
'Meaning/Interpretation', in Critical Terms in Art History, Chicago: University of Chicago Press, 1996.
'The Framing of Material: around Degas' Bureau de coton', in The Rhetoric of the frame, Cambridge: Cambridge University Press, 1996.
'Die Rückkehr des verlorenes Sohnes', in Zeitgenössische Künst und ihre Betrachter, Cologne: Oktagon Verlag, 1996.
'Gibbon en Granet in tweegesprek: verbale en visuele strategieen voor het weergeven van het'oude Rome', in Romantiek en Historische Cultuur, Groningen: Historische Uitgeverij, 1996.
'Ekphrasis contemporain ? Le Matisse de Greenberg', in Actes du colloque La Description, Châteaugiron: Archives de la critique d'art, 1997, p.34-50.
'La Carte comme ancrage historique: autour de l'atlas d'Augustin Thierry pour l'histoire de la conquête de l'Angleterre par les Normands', in Cartographiques: actes du colloque de l'Académie de France à Rome, 19-20 mai 1995, Paris: Réunion des Musées Nationaux, 1997.
'Victor Cousin', Walter Pater', in Encyclopedia of Aesthetics, Oxford: Oxford University Press, 1998.
'Entre l'admiration et la surprise: quelques remarques sur la peinture historique du début du XIXe siècle', in La Surprise: actes du 6e colloque du CICADA, Pau: Publications de l'université, 1998, p.17-22.
'Guilio Paolini', in Rewriting Conceptual Art, London: Reaktion Books, 1999, p.169-185.
[Introduction], in Global Conceptualism: Points of origins, 1950's-1980's, New York: Queens museum of art, 1999, p.3-13.
'Marcelin Pleynet et le système de la peinture', in De Tel Quel à L'Infini: l'avant-garde et après ?, Nantes: Pleins Feux, 2000, p. 267-281. [Actes du colloque].
'L'Ironie de père en fils: les deux Mérimée', in Le Witz: figures de l'esprit et formes de l'art, Bruxelles: La Lettre volée, 2002, p.87-99. [Actes du colloque].
'Robert de la Sizeranne, médiateur de Ruskin et de la peinture anglaise', in Relire Ruskin, Paris: Ecole Nationale Supérieure des Beaux-Arts: Musée du Louvre, 2003, p.101-119, (Principes et théories de l'histoire de l'art).
'Poetics of the museum: Lenoir and Du Sommerard', in Grasping the world: the idea of the museum, London: Ashgate, 2003, p.65-84.
'Danse des étoiles et le rideau de Parrhasius', in Pizzi Cannella, Paris: XXIsiècle, 2006, p.285-290.
"Anthony Hill", in Talking Art: interviews with artists since 1976, London: Art Monthly: Ridinghouse, 2007, p.171-177. [Réédition d'un article publié en 1983]
Catalogues
'Ian Hamilton Finlay', in Catalogue Ian Hamilton Finlay, Edinburgh: Scottish Gallery of Modern Art, 1972, 36p.
[Texte], in Catalogue Systems: art council 1972-1973, London: Arts Council of Great Britain, 1973, 62p.
'Bernard Lassus: au delà de l'ironie', in Catalogue Bernard Lassus, paysages quotidiens: de l'ambiance au démesurable, Paris: Ed. du Centre Pompidou, 1975, p.7-79.
'Bernard Lassus: the margin and the center', in Catalogue Bernard Lassus: XIVe biennale de Sâo Paulo, Paris: s.n., 1976, non paginé.
'Etude de trame ou support d'ambiance', in catalogue Bernard Lassus: jeux, Paris: Ed. Galilée, 1977, non paginé.
The Aesthetic of Construction, in Catalogue Theorie und Praxis der konstruktiven Kunst heute, Österreich: Internationales Symposion Schloß Buchberg, 1979, p.11-15. [eng/ger].
'Introduction', in Catalogue Nature over again after Poussin: some discovered landscapes , Glasgow: Collins Exhibition Hall, 1980, p.6-12.
[Texte], in Bernard Lassus: les pins, London: Coracle Press, 1983, 2 p. [fre/eng].
'Inter artes et naturam, in Catalogue Ian Hamilton Finlay: Inter artes et naturam, Paris: ARC, Musée d'art moderne de la ville, 1987, non paginé.
'The Non-Objective World', in Catalogue The Non-Objective World Revisited, London: Annely Juda Fine Art, 1988, p. 8-9.
[Texte], in Catalogue Malcolm Hughes: painting space, gallery space, London: Annely Juda Fine Art, 1989, non paginé.
[Texte], in Catalogue Douglas Allsop, London: Laure Genillard Gallery, 1990, 3 p.
[Texte], in Catalogue Stephen Willats: conceptual living, London: Victoria Miro Gallery, 1991.
[Texte], in Catalogue Joost Baljeu, Amsterdam: Stedelijk Museum, 1991.
[Texte], in Catalogue The Boundary Rider: 9th Biennale of Sydney, Sydney: Art Gallery of New South Wales, 1992.
'The Raising of Lazarus', in Catalogue Anthony Gormley, London: Tate Gallery publications, 1993.
'Les Temps voilent l'antiquité', in Corps de la mémoire: Espace d'art moderne et contemporain, Toulouse: Ed. Arpap, 1995, t.2, p.3-31.
'Le Jeu du jardin', in Catalogue Bernard Lassus: le jeu du jardin, Dijon: Grand public, 1996, p.3-12.
'Tokens of presence', in Catalogue Gormley: still moving, works 1975-1996, Tokyo: The Japan Association of ARt Museums, 1996.
'Au Travers des cloches', in Catalogue Pascal Convert, Nice: Villa Arson, 1997, p.9-15.[fre/eng].
'Le Jeu curieux d'Hubert Duprat, ou pourquoi un trichoptère vaut dix chameaux', in Catalogue Hubert Duprat, Limoges: Frac Limousin, 1998, p.67-71.
'Amateur', in Catalogue Amateur=Eldsjäl, Göteborgs: Göteborgs Konstmuseum, 2000, p.150-157.
'Un Jardin des Hespérides', in Catalogue Nouvelles curiosités = New Curiosities, Digne: Musée Gassendi, 2003, p. 57-78. [fre/eng].
Articles de périodiques
'Notes on Alberto Giacometti', in Granta, nov. 1963, vol.68, p.2-4.
'Rauschenberg & Representation', in Cambridge Review, mars 1964, vol.85, p.333-336.
'Reputations: Robert Pinget', in The London Magazine, oct.1964.
[Dossier Struturalism], in 20th Century Studies, 3 mai 1970.
'A Cycle in Historical Discourse: Barante, Thierry, Michelet', in 20th Century Studies, mai 1970.
[Dossier Directions in The Nouveau roman], in 20th Century Studies, 6 déc.1971.
'Robert Pinget: the end of a modern way', in 20th Century Studies, déc. 1971.
'Bernard Lassus: ambiances' in Art and Artists, juin 1971.
'Language in and about the Work of Art', in Studio International, mars 1972.
'L'Anti-histoire de Henry Esmond', in Poétique, 1972, n°9.
'From Kineticism to Didacticism', in Studio International, mars 1973.
'Malcolm Hughes and the Open Book', in Studio International, sept.1973.
'I Compensi di Kipling', in Paragone, 1973, n°282.
[Dossier The Boundaries of the Humanities], in 20th Century Studies, 9 sept.1973. [en collaboration avec G. Almansi].
[Dossier Translation and Transformation], 'Three Translators: Silhouette, Barante, Rosetti', in 20th Century Studies, 11 sept.1974.
'Michel Serres, Turner translate Carnot', in 20th Century Studies, sept.1974, n°11.
[Dossier The Limits of Comprehension], in 20th Century Studies, 12 déc.1974. [En collaboration avec G. Almansi].
[Dossier Politics in Cartoon and Caricature], in 20th Century Studies, 13/14 déc.1975. [En collaboration avec G. Thomas].
'Forme et fonction dans la tendance constructiviste', in Plasticiens, 1976, n°1, p.5-14.
[Dossier Visual Poetics], in 20th Century Studies, 15/16 déc.1976.
'Adriatics: a propos of Brice Marden', in 20th Century Studies, déc.1976.
'Marcelin Pleynet: de pictura', in 20th Century Studies, déc.1976, n°15-16.
'L'Oeuvre d'art dans la ville', in Revue d'esthétique, déc.1977.
'Barthes Britannicus', in PN Review, déc.1977, n°6.
'Extremities of Discourse: Walter Pater and Robert Pinget', in Signs of change, été 1978.
'Historical Text and Historical Object: the poetics of the Musée de Cluny', in History & Theory, 1978, vol.XVII, n°3.
'Meredith's plain Story', in Literatur in Wissenschaft und unterricht, 1978, Bd X, Heft 2.
'Deux invasions: le paysage romain et le paysage hollandais en Angleterre', in Urbi I, sept.1979.
'The Case for Stokes and Pater', in PN Review, 1979, n°9.
'A Propos of Noel Forster', in Art Scribe, janvier 1980, n°21.
[Dossier Adrian Stokes], in PN Review, 15 avril 1980. [supplément].
'L'Art contemporain en Grande-Bretagne', in Connaissance des arts, août 1980.
'A Description of Stonypath', in Journal of Garden History, avril 1981, vol.1, n°2.
'Towards a Critical Historiography', in Philosophy , juillet 1981, vol.56, n°217.
'Roland Barthes: the discourse of history', in Comparative Criticism, yearbook, 1981, vol.3.
'L'Apocryphe ou la loi nouvelle', in La Revue des Belles-Lettres, 1982.
'Foucault's Silence', in PN Review, 1982, n°26.
'Julia Kristeva: genealogist', in PN Review, 1983, n°35.
'Analysing the Discourse of History', in Nottingham Rennaissance & Modern Studies, 1983.
"Anthony Hill" [Entretien], in Art Monthly, mai 1983, n°66.
'Review of Lionel Gossman: The Empire unposses'd: an essay on Gibbons decline and fall', in History and Theory, 1983, vol.XXII, n°2.
'A propos des jardins: une nouvelle poétique anglo-écossaise', in Urbi VIII, automne 1983.
'Bernard Lassus: five texts translated and introduced in The landscape Approach of Bernard Lassus', in Journal of Garden History, 1983, n°2, vol.3.
'The Career of Tel Quel: Tel Quel becomes L'Infini', in Comparative Criticism, yearbook, 1984, vol.6.
'L'Art dans le paysage', in Revue d'Esthétique, 1984, n°7, p.161-167.
'The Mythical Conception is the Name: titles and names in modern and post-modern painting', 'Painting as sign', in Word and Image, avril 1985, vol.1, n°2.
'L'An 2000 n'aura pas lieu: the avant-garde past and future', in Comparative Criticism, juillet 1985, n°7.
'The Heroic Reference in New British Art', in Praxis, automne 1985.
'Review of Michael Ann Holy: Panofsky and the foundations of art history', in History and Theory, 1986, vol.XXV, n°2.
'Brice Marden: vom Materiellen zum Immateriellen', in Kunstforum, avril 1987.
'Arte nel paesaggio', in Lotus International, été 1987, n°52.
'Clio in part: on antiquarianism and the historical fragment', in Perspecta - The Yale Architectural Magazine, sept.1987, n°23.
'The Odd Man out: historical narrative and the cinematic image', in History and Theory, 1987, Beiheft 26.
'Collage: the poetics of discontinuity ?', in Word and Image, janvier 1988, vol.4, n°1, p.353-362.
'History and her Sibblings: law, medicine and theology', in History of the Human Sciences, 1988, vol.1, n°1.
'The Truth in Mapping', 'Maps and mapping', in Word and Image, avril 1988, vol.4, n°1.
'The New Art History', in History of Human Sciences, février 1989, n°1, vol.2.
'Criticism in the Eighties', in Art Monthly, mars 1990, n°134, p.3-4.
'Three Modes of Art Criticism', in AICARC: bulletin of the archives and documentation centers for modern and contemporary art, 1991, n°29-30, p.4-6.
'The Inscription in the Garden', in Apollo, août 1991, n°354, vol.134, p.119-120.
'Inscription and Identity in the Representation of the Past', in New Literary History, automne 1991, vol.22, n°4, p.939-960.
'Fragments of a Museum Discourse', in Kunst & Museumjournaal, 1991, vol.2, n°6, p.1-6. [En collaboration avec William Allen].
'Perspectivas de la historia del arte', in Kalias, 1993, vol.5, n°10, p.36-51.
'Pop Art and Genre', in New Literary History, hiver 1993, vol.24, n°1, p.115-124.
'A Rather special Historical View', in Art Monthly, mai 1993, n°66, p.5-7.
'Violence et guérison: Apollon et Coronis d'Adam Elsheimer', in Poliphile, printemps 1993, n°2.
'A Luton Arcadia: Ian Hamilton Finlay's', in Journal of Garden History, printemps-été 1993, n°1-2, vol.13.
'The Map as index of the real: Land Art and the authentification of travel', in Imago Mundi, 1994, n°46, p.9-18.
'The Road to Roscommon', in Oxford Art Journal, n°1, vol.17, 1994.
'Land Art', in Critique d'art, avril 1994, n°3, p.73-77. [eng/fre].
'Greenberg's team', in Raritan, printemps 1994, n°4, vol. XIII.
'Shrine, Gardens, Utopias', in New Literary History, automne 1994, n°4, vol.25.
'The Landscape Approach of Bernard Lassus: Part II', in Journal of Garden History, avril-juin 1995, vol.15, n°2, p.67-106.
'Live unknown: the Garden of Ian Hamilton Finlay', in Lotus International, février 1996, n°88, p.92-131.
'From Land Art to Garden Landcape', in Art and Design, n°11-12, nov.-déc. 1997, vol.12, p.60-65.
'Mourning, Identity, and the Use of History', in History and Theory, 1998, vol.37, n°1, p.93-101.
'Three Images for Kristeva: from Bellini to Proust', in Parallax, 1998, vol.4, n°3, p.65-79.
'Face to face with History', in New Literary History, printemps 1998, vol.29, n°2, p.235-246.
'Literature and the Arts', in Textus, English Studies in Italy, janvier-juin 1999, n°1, vol.XII. [Dir. de publ. En collaboration avec Vita Fortunati].
'The Image of History', in Word and Image, janvier-mars 2000, n°1, vol.16. [Dir. de publ.]
'Photography and Literature', in Journal of European Studies, mars 2000, pt 1, vol.30. [Dir. de publ.].
'Cy Twombly's straying Signs', in Art and Design, s.d., n°25, p.49-59.
"Entre fac-similé et haute gravure: l'image dans la presse française des années 1830", in Etudes photographiques, juin 2007, n°20, p.4-17.
Traductions
'Roland Barthes: the activity of structuralism', in Form, 1966, n°1.
'Robert Pinget: les Ducreux', in Form, 1966, n°3.
Popper, Franck. Origins and Development of Kinetic Art, London: Studio Vista, 1968.
'Francis van Laere: the problem of literary structuralism', in 20th Century Studies, may 1970, n°3.
'Musical drawing and graphic drawing in the work of August von Briesen', traduction en anglais de l'étude critique de Marcelin Pleynet, 'The Ricercare of August von Briesen', traduction en anglais de l'étude critique de Jean-Marie Benoist, in Briesen: l'offrande musicale, Genève: Musée de l'Athénée, 1981, p.88-100, p.102-104.
'Hubert Damisch: the underneaths of painting', in Word and Image, april 1985, n°2, vol.1.
René Girard : Things hidden since the Foundation of the World, London: Athlone Press, 1987.
Julia Kristeva : Proust and the sense of time, s.l.: Ed. Faber, 1993.
Bernard Lassus : The Landscape Approach, Philadelphia: University of Pennsylvania Press, 1999. [Traducteur avec P. Buck].