Charles Green
Bibliographie
Ouvrages de l'auteur et directions d'ouvrages
Peripheral Vision: Contemporary Australian Art 1970-94 , Sydney: Craftsman House, 1995, 153 p.
"Everyday", in In the every day: critical and theoretical speculations on the 11th Biennale of Sydney, Sydney: Artspace, 1998, p.42-49. [Edition en collaboration avec Susan Brest].
"What is to be done with the Sydney Biennale?", in Critical and theoretical speculations on the 12th Biennale of Sydney , Sydney: Artspace, 2000, p.37-48. [Edition en collabaration avec Susan Brest].
"Postcolonial+Art: Where Now" in Postcolonial: Where Now , Sydney: Artspace, 2001, p.3-9. [Editeur].
The Third Hand: Collaboration in Art from Conceptualism to Postmodernism, Minneapolis: University of Minnesota Press, 2001, 246 p.
Ouvrages collectifs
"Scepticism about Improvement", in A Small History of Photography, Melbourne: Centre for Contemporary Photography, 1997, p.6-11.
"The Concentric Circles of Darkness and Change" in Waisler & Malik, Ojai: Edwin House, 1998, p.93-103.
"Dale Hickey", "Robert Hunter", "Patrick Pound", "Robert Rooney" , "David Wadelton", in Australian Painting Now , Sydney: Craftsman House, 2000, p.148, p.152, p.232, p.244, p.300.
"Avoiding Art, Desperately Seeking Photography: Revising the History of Photography by Post-object Art", in What is this thing called photography ?, Sydney: Pluto Press, 2000, p.17-36.
"The Art of Friction" , in ( dis) LOCATIONS, Karlsruhe: Z.K.M., 2001, p.62-73.
"The Global Significance of Western Desert Painting: Messages from a Collection", in Aborigena, Milan: Electa, 2001.
"The Failure of Australian Art", in Beyond the Future: Asia-Pacific Triennial Conference Proceedings , Brisbane: Queensland Art Gallery, 2000. [Actes du colloque].
Catalogues
"Bernhard Sachs", in Catalogue Bernhard Sachs, Melbourne: Reconnaissance Gallery, 1988.
"Stephen Killick", in Catalogue Stephen Killick, Melbourne: Deutscher Gertrude Street, 1989.
"Persistent Subjectivity: Revaluing Robert Hunter", in Catalogue Robert Hunter, Melbourne: University of Melbourne Gallery, 1989.
"Animals for Art", in Catalogue 100 Artists against animal experimentation, Melbourne: Deutscher Brunswick Street Gallery, 1990.
"Trefor Prest", in Catalogue Trefor Prest, Melbourne: Pinacotheca, 1990.
"Robert Rooney", in Catalogue Robert Rooney, Melbourne: Monash University Gallery, 1990, p.4-10.
"Western Desert Paintings and Contemporary Culture", in Catalogue Aboriginal Paintings from the Desert, Moscow: Moscow Union of Artists, 1991, p.33-38.
"Living in the Seventies", in Catalogue Off the Wall/In the Air: A Seventies Selection, Melbourne: Monash University Gallery and Australian Centre for Contemporary Art, 1991, p.5-20.
[Texte], in Catalogue Eleven sons: Domenico de Clario, s.l.: Mori Gallery, 1992.
"Lynne Roberts-Goodwin", in Catalogue Lynne Roberts-Goodwin, Sydney: Australian Centre for Photography, 1993.
"Fiction and Treachery: Contemporary Australian Art", in Catalogue 1993 Australian Perspecta, Sydney: Art Gallery of New South Wales, 1993, p.23-26.
"Words and Images: the Fate of Performance Art", in Catalogue 25 Years of Performance Art in Australia, Sydney: Ivan Dougherty Gallery, 1994, p.15-17.
"Sandro Chia", in Catalogue Power Works from the MCA Collection, Wellington: Museum of New Zealand, 1994, p.8-9.
"Phillip George", in Catalogue Phillip George: Nine Mnemonic Notations, Sydney: Sydney University; The Tin Sheds, 1994, non paginé.
"Patrick Pound", in Catalogue Post Code: A Travelling Show/Patrick Pound, Adelaide: Experimental Art Foundation, 1994, non paginé.
"Lynne Roberts-Goodwin", in Catalogue Lynne Roberts-Goodwin: Remote-Half-Light, Melbourne: Australian Centre for Contemporary Art; Perth: PICA, 1994, non paginé.
"Aleks Danko", in Catalogue Aleks Danko: Zen Made in Australia, Melbourne: University of Melbourne Gallery, 1994, p.2-17.
"Fault Lines", in Catalogue "Rites for an Anxious Spring": Selected Acquisitions, Melbourne: Museum of Modern Art at Heide, 1996, non paginé.
"Redefining the Centre: Aboriginal Painting and the Ownership of Abstraction", in Voices of the Earth, Mumbai; Bangalore: Gallery Gabrielle Pizzi, 1996, p.13-16.
"City of Angels", in Catalogue Janenne Eaton, Canberra: Drill Hall Gallery, Australian National University, 1996, non paginé.
"The Moment of Aesthetic Withdrawal", in Catalogue Lightness and Gravity, Melbourne: Museum of Modern Art, 1997, p.16-21.
"The Artist as Cannibal", in Catalogue David Wadelton: Pictorial Knowledge, Geelong: Geelong Art Gallery, 1998, non paginé.
"Memory, Ethics and Archives: Joseph Kosuth in Australia", in Catalogue Sacred and Profane: 1998 Telstra Adelaide Visual Arts Program, Adelaide: Telstra Adelaide Festival, 1998, p.54-61.
"Marina Abramovic: Escape", in Catalogue Remanence, Melbourne: Melbourne International Festival of the Arts, 1998, p.10-11.
"Grzegorz Klaman in India", in Catalogue Klaman, Gdansk: Centre for Contemporary Art Laznia, 1999, p.35-42.
"Your Friends Do Not Forget: Tom Nicholson", in Catalogue Critical Response, Sydney: Ivan Dougherty Gallery, 2000.
Articles de périodiques
Charles Green était membre des comités d'édition de Tension, Melbourne de 1988 à 1990, puis de World Art, Melbourne de 1993 à 1996.
"Seduction in the Landscape," in Art and Australia, summer 1988, vol. 26, n°2, p.290-295.
"Bernhard Sachs", in Tension, déc. 1988, n°15, p.8-9.
"Persistent Subjectivity: Revaluing Robert Hunter", in Tension, avril 1989, n°16, p.20-22.
"Rewriting the Seventies", in Art Monthly Australia, juillet 1989, n°22, p.7-8.
"The State of Things", in Tension, août 1989, n°17, p.14.
"The Art of Travel", in Tension, oct. 1989, n°18, p.19-23.
"Pansy Napangati", in Artforum, oct. 1989, vol. XXVIII, n°2, p.192.
"Graeme Hare", in Artforum, nov. 1989, vol. XXVIII, n°3, p.168.
"Nikolaus Lang", in Artforum, déc. 1989, vol. 28, n°4, p.156.
"A Chronicle of Australian Art: 1980-1990," in Tension , déc. 1989, n°19 (hors série), p.12-84.
"Backlash", in Tension, déc. 1989, n°19, p.9-11.
"How Painting recaptured Melbourne", in Art Monthly Australia, déc. 1989, n°27, p.8-10.
"Joan Letcher", "Mike Parr", in Artforum, février 1990, vol. 28, n°6, p.156, p.156.
"Imprint Editorial: Slaves of the Art Cult", in Imprint, mars 1990, vol. 25, n°2, p.4-5.
"Davida Allen", in Artforum, avril 1990, vol. XXVIII, n°8, p.190.
"Eric Cameron", "Juan Davila", in Artforum, mai 1990, vol. XXVIII, n°9, p.198, p.207.
"Shadow of Presence", in Tension, août 1990, n°22, p.54-55.
"Philip Hunter", in Artforum, oct. 1990, vol. 29, n°2, p.186.
"Nick Nedelkopoulos", in Flash Art, nov. 1990, n°155, p.168.
"Jon Cattapan", in Artforum, nov. 1990, vol. XXIX, n°3, p.184.
"Anne Zahalka", in Artforum, déc. 1990, vol. XXIX, n°4, p.154.
"Inverse Warholism", in Tension , déc. 1990, n°24, p.13-14.
"Janenne Eaton", in Artforum, février 1991, vol. XXIX, n°6, p.141.
"Peter Tyndall", in Artforum, avril 1991, vol. XXIX, n°8, p.141.
"Simone Mangos", in Artforum, mai 1991, vol. 29, n°9, p.162.
"1991 McCaughey Prize", in Agenda , mai 1991, n°17, p.28.
"John Olsen", in Artforum, été 1991, vol. XXIX, n°10, p.130.
"Abstract?" , in West, été 1991, vol. 3, n°2, p.14-20. [Avec Stephen Wickham].
"Debra Dawes", in Artforum, oct. 1991, vol. XXX, n°2, p.152.
"Terri Bird and Fiona Macdonald", in Artforum, déc. 1991, vol. XXX, n°4, p.120.
"Tony Coleing", in Artforum, février 1992, vol. XXX, n°6, p.132.
"Annette Bezor", in Artforum, avril 1992, vol. XXX, n°8, p.112.
"A Constructed Reality", in Art and Text, mai 1992, n°42, p.107-108.
"David Wadelton", in Art Monthly Australia, juillet 1992, n°51, p.13-15.
"Unofficial World: Postcolonialism and the Metropolis", in Art and Text, sept. 1992, n°43, p.38-41, p.96-97.
"Lost and Found: The Empire of Death", in Binocular: Focusing/Time/Lapses, oct. 1992, n°2, p.25-42.
"Wilma Tabacco", in Artforum, oct. 1992, vol. XXXI, n°1, p.108.
"Gilgul", in Artforum, nov. 1992, vol. XXXI, n°2, p.122.
"Zones of Love", in Artforum, déc. 1992, vol. XXXI, n°3, p.108.
"Lyndal Jones", in Artforum, janvier 1993, vol. XXXI, n°4, p.98.
"Inge King", in Artforum, mars 1993, vol. XXXI, n°6, p.108.
"Sydney Biennale", in Artforum, avril 1993, vol. 31, n°7, p.110.
"Art as Printmaking: The Deterritorialized Print", in Art Monthly Australia, avril 1993, p.10-13.
"Violent Art: Peter Burgess and Sue Williams", in Art Monthly Australia, mai 1993, p.22-24.
"Melbourne Medley", in Art and Text, mai 1993, n°45, p.10-11.
"Brett C"Tim Johnson", in Art and Text, sep. 1993, n°46, p.46.
"The Dark Wood: Domenico de Clario", in World Art, nov. 1993, n°1, p.92-99.
"Melbourne Report", in Art and Australia , janvier 1994, vol. 31, n°2, p.184-186.
"Ian Burn", in Artforum, janvier 1994, vol. XXXII, n°5, p.104.
"Luminaries", "Robert Rooney", in Art and Text, janvier 1994, n°47, p.80, p.81.
"Working on Water: Jennifer Turpin", in World Art, mars.1994, n°2, p.48-51.
"Domenico de Clario", in Artforum, juin 1994, vol. XXXII, n°10, p.104.
"Toni Grand", in World Art, juin 1994, vol. 2, n°1, p.108.
"Richard Dunn", in Artforum, oct. 1994, vol. XXXIII, n°2, p.114.
"White ApronBlack Hands", in Artforum, déc. 1994, vol. 33, n°4, p.94.
"Mike Stephenson", in Artforum, mai 1995, vol. XXXIII, n°7, p.109.
"Downtown: Arkley, Rooney, Ruscha", in Artforum, nov. 1995, vol. XXXIV, n°3, p.102.
"False Tales: Lynne Roberts-Goodwin", in Art and Australia, fév. 1996, p.285-286.
"Sally Smart", in Artforum, mai 1996, vol. XXXIV, n°9, p.114.
"Passions Privées", in Art Monthly Australia, mai 1996, n°89.
"Lyon Biennale", in World Art, sept. 1996, p.82-83.
Monumental Anonymity", "Paris: By Night", in World Art, nov. 1996, n°4, p.14-15, p.90-91.
"Polixeni Papapetrou", in Artforum, mars 1997, vol. XXXV, n°7, p.103.
"Tony Clark", in Artforum, mai 1997, vol. XXXV, n°9, p.117-118.
"Sabina Ott: the Ghost in the Machine", in World Art, août 1997, n°14, p.26-28.
"General Idea", in World Art, août 1997, n°14, p.83.
"Shane Cotton", in Artforum, nov. 1997, vol. XXXVI, n°3, p.127.
"Pinacotheca", in Art and Australia, hiver 1997, vol. 34, n°4, p.484-489.
"Thoughtful Art: Ian Burn", in Art and Australia, hiver 1997, vol. 34, n°4, p.466-467.
"Soft Cells: Lim Young-Sun", in World Art, février 1998, n°16, p.54-61.
"Louise Weaver", in Artforum, février 1998, vol. XXXVI, n°6, p.102-103.
"Ada or Ardor", in Artforum, avril 1998, vol. XXXVI, n°8, p.122-123.
"Ninth Indian Triennale", in Art/Text, mai 1998, n°61, p.91-92.
"Vivan Sundaram: The Nervous System", in World Art, 1998, n°18, p.54-59.
"Construction in Process 4", in Art/Text, août-oct. 1998, n°62, p.97-98.
"Stockholm Syndrome: Every Day, the 11th Biennale of Sydney", in Eyeline, summer 1998, n°38, p.21-23.
"Daily Double", in Artforum, sept. 1998, vol. XXXVII, n°1, p.65.
"Kathy Temin", in Artforum, oct. 1998, vol. XXXVII, n°2, p.136.
"Sol LeWitt", in Art/Text, 1998-99, n°63, p.82-83.
"Deciphering Multiples: Body and Gaze", in Art and Australia, hiver 1998, vol. 35, n°4, p.479-481.
"Ian Burn and Artistic Collaboration", in Art Monthly Australia, 1998-99, n°116, p.7-10.
"Bill Henson", in Artforum, déc. 1998, vol. XXXVII, n°4, p.141.
"Superflex", in Artforum, avril 1999, vol. XXXVII, n°8, p.133.
"Constructed in the field of the other", in Art/Text, mai 1999, n°65, p.92.
"Have a Nice Day Mr Rooney", in Art/Text, août-oct. 1999, n°66, p.70-75.
"Art by Long-distance: Joseph Kosuth and the Assistance of Others", in Visual Arts and Culture, sept. 1999, vol. 1, n°2.
"Signs of Life", in Artforum, sept. 1999, vol. XXXVIII, n°1, p.178.
"Guan Wei", in Art/Text, 1999-2000, n°67, p.94.
"Disappearance and Photography in Post-object Art: Christo and Jeanne-Claude", in Afterimage, nov. 1999, vol. 27, n°3, p.13-15.
"Beyond the Future: the Third Asia-Pacific Triennial", in Art Journal, winter 1999, vol. 58, n°4, p.81-87.
"Third Asia-Pacific Triennial", in Art/Text, février 2000, n°68, p.94.
"Art and Politics: Living Here Now - Australian Perspecta 1999", in Art and Australia, 2000, vol. 37, n°3, p.358-360.
"Callum Morton", in Artforum, mars 2000, vol. XXXVIII, n°7, p.140.
"Doppelgangers and the Third Force: the Artistic Collaboration of Gilbert & George and Marina Abramovic/Ulay", in Art Journal, summer 2000, vol. 59, n°2, p.36-45.
"David Haines, Joyce Hinterding", in Artext , août-oct. 2000, n°70, p.90-91.
"The Biennale of Sydney 2000", in Artforum, sept. 2000, vol. XXXIX, n°1, p.186-187.
"Animal Magnetism: The Enigmatic Signifier and Lynne Roberts-Goodwin", in Art and Australia, 2000, vol. 38, n°1, p.104-111.
"Papunya Tula", in Artforum, déc. 2000, vol. XXXIX, n°4, p.157-158.
"Future Monster", in Artext, août 2001, n°74, p.74-75.
"Euan Heng", in Artforum, oct. 2001, vol. XL, n°2, p.170.
"Sung Neung-Kyung", in Artforum, avril 2002, vol. XL, n°8, p.148.
"Patricia Piccinini", in Artforum, mai 2002, vol. XL, n°9, p.194.
"Tracey Moffatt", in Artforum, sept. 2004, vol. XLII, n°10, p.284.
'Group Soul: who owns the artist fusion ?', in Third Text, nov. 2004, vol. 18 (6), n°71, p.595-608.
'Lee Bull', in Artforum, mai 2005, vol. XLIII, n°9, p.261.
'Juan Davila', in Artforum, janvier 2007, vol. XLV, n°5, p.269-270.