Griselda Pollock
Bibliographie
Ouvrages de l'auteur et directions d'ouvrages
Jean-François Millet, London: Oresko Books, 1977, 96 p.
Vincent Van Gogh: Artist of his Time, Oxford : Phaidon, 1978, 84 p., [En collaboration avec Fred Orton].
Mary Cassatt, London : Jupiter Books, 1980, 119 p.
Old Mistresses; Women, Art and Ideology, London : Routledge & Kegan Paul, 1981, 184 p. [En collaboration avec Rozsika Parker].
The Journals of Marie Bashkirtseff, London : Virago, 1985.
Framing Feminism: Art and the Women's Movement 1970-1985, London : Routledge: Pandora, 1987, 350 p. [En collaboration avec Rozsika Parker].
Vision and Difference: Femininity, Feminism, and Histories of Art, London ; New York : Routledge, 1988, 239 p.
Dealing with Degas: Representations of Women and the Politics of Vision, London : Pandora, 1992, 224 p. [En collaboration avec Richard Kendall].
Old Mistresses: Women, Art and Ideology, London: Pandora, 1992, 184 p. [En collaboration avec Rozsika Parker. Réédition].
Avant-Garde Gambits 1888-1893: Gender and the Colour of Art History, London : Thames & Hudson, [1993], 80 p.
Avant-Gardes and Partisans Reviewed, Manchester : Manchester University Press, 1996, 362 p., [En collaboration avec Fred Orton].
Generations and Geographies in the Visual Arts: Feminist Readings, London ; New York : Routledge 1996, 300 p
Mary Cassatt: Painter of Modern Women, London: Thames & Hudson, 1998, 224 p.
Differencing the Canon: Feminist Desire and the Writting of Art's Histories, London : Routledge, 1999, 345 p.
Looking Back to the Future: 1990-1970, London : Routledge, 2000, (Critical Voices in Art, Theory and Culture). [Introduction de Penny Florence].
Looking Back to the Future: Essays on Art, Life and Death, Amsterdam : G&B Arts International, 2001, 419 p. [Introduction de Penny Florence].
Work and the Image: vol. 1, Work, Craft and Labour: Visual Representations in Changing Histories, vol. 2, Work in Modern Times: Visual Mediations and Social Processes, London : Ashgate, 2000, [En collaboration avec Valérie Mainz].
Vision and Difference: Feminism, Feminity and the Histories of Art, London ; New York: Routledge, 2003, 320 p.
Theater of Memory: Charlotte Salomon's Leben oder Theater 1940-1942, New Haven : Yale University Press, 2005.
The Case Against Van Gogh: Cities and Countries of Modernism, London : Thames & Hudson, 2005.
Ouvrages collectifs
'Van Gogh and the Poor Slaves', in Peasants and Countrymen in Literature, London : Roehampton Institute, 1982.
'Theory and Pleasure', in Sense and Sensibility in Feminist Artistic Practice, Nottingham : Midland Group, 1982.
'The Bretons Themes: the Meadows of Representation', in Modern Art and Modernism: A Critical Anthology, London ; New York : Harper & Row, 1983. [En collaboration avec Fred Orton].
'Women's Knowledge, Women's Ignorance, Women's Studies', in Knowledge and Higher Education, Stockholm : National Board of Universities and Colleges, 1983.
'Avant-Gardes and Partisans Reviewed', in Pollock and After, London ; New York : Harper & Row, 1985, [En collaboration avec Fred Orton].
'What's Wrong with Images of Women?', in Looking On, London : Pandora Press, 1987.
'The Partial View: The Visual Representation of the Early Nineteenth Century City'', in The Culture of Capital Art, Power and the Nineteenth Century Middle Class, Manchester : University Press, 1988.
'Madness, Media and Mythologies...', in Picture This: Media Representations of Visual Art and Artists, London : Arts Council, 1988.
'Modernität und Die Raume der Weiblichkeit', in Blickwechsel-Zur Konstruktion von Weiblichkeit in Kunst und Kunstgeschichte, Berlin : Reimer Verlag, 1989, p.1-13.
'Whose Images of Women?', in Images of Women, Leeds : City Art Gallery, 1989, p.6-15.
'Missing Women: Rethinking Early Thoughts on Images of Women', in The Critical Image: Essays on Contemporary Photography, Seattle: Bay Press, 1990, p.202-219.
[Introduction], 'Veils, Masks and Mirrors: Thoughts on the Work of Mitra Tabrizian', in Mitra Tabrizian: Correct Distance, Manchester: Cornerhouse, 1990, n. p.
[Texte], in Van Gogh, London : Phaidon, 1991, 127 p.
'Thoughts on Kitchen Show', in Kitchen Show, London : Arts Admin, 1991.
'Painting, Feminism and History', in Destabilising Theory: Western Feminism 1970s-1980s, Cambridge : Polity Press, 1992, p.138-176.
'Feminism and the Visual Arts', in Feminism and Psychoanalysis: A Critical Dictionary, Oxford : Blackwell, 1992.
'Vision, Voice and Power: Feminist Art History and Marxism', in Art in Modern Culture: an Anthology of Critical Texts, London: Phaidon, 1992 p.28-31.
'Histoire et politique: l'histoire de l'art peut-elle survivre au féminisme ? ', in Espaces de l'art: féminisme, art et histoire de l'art, Paris: Ecole Nationale Supérieure des Beaux-Arts, 1994, p.63-90.
'Feminism and Foucault', in Visual Culture: Images and Interpretations, Wesleyan: University Press, 1994, p.1-42.
'The Case of the Missing Women', in The Point of Theory., Amsterdam : University of Amsterdam, 1994, p.91-108.
'Territories of Desire: an African Childhood Reconsidered', in Travellers' Tales, London : Routledge, 1994, p.63-92.
'Beholding Art History: Vision, Power and Difference', in Vision and Textuality, Basingstoke Hampshire: MacMillan Press, 1995, p.48-67.
'The View from Elsewhere: the Politics of Feminist Spectatorship', in Feminist Subjects: Multi-media, Manchester : University Press, 1995, p.2-39.
'Empire, Identity and Place: Greystoke the Legend of Tarzan', in Me Jane: Masculinity, Movies and Women, London : Lawrence and Wishart, 1995.
'Deadly Tales', in 1,799 of 600,000 Hours, (Mortality), Adelaide : The Experimental Art Foundation, 1996, p.69-77.
'The Invitation to Look: The Female Spectator and the Working Woman in Manet's Bar at the Folies Bergère', in Twelve Views of the Manet's Bar, Princeton : University Press, 1996, p.278-318.
'Inscriptions in the Feminine & Introduction to the With-In-Visible Screen', in Inside the Visible, Cambridge ; London : MIT Press, 1996, p.67-87.
'Is Feminism to Judaism as Modernity is to Tradition?: Critical Questions on Jewishness, Femininity and Art', in Rubies and Rebels Jewish Female Identity in Contemporary British Art, London : Lund Himphires, 1996, p.15-27.
'Art, Art School, Culture: Individualism after the Death of the Artist', in The Block Reader in Visual Culture, London : Routledge, 1996.
[Preface], in Berthe Morisot: the First Lady of Impressionism, Stroud: Sutton Publishing, 1996.
[Texte], in Issues in Art and Education: Aspects of the Fine Art Curriculum, London: Tate Publishing, 1996.
'On Not Seeing Provence : Van Gogh and the Painting of Consolation', in Framing France, Manchester : University Press, 1998, p.81-118.
'Le Post-impressionnisme', in Histoire de l'art en occident: de l'Antiquité au XXème siècle, Paris: Flammarion, 1998, p.336-357.
[Introduction], in Regard et espace-de-bord matrixiels: essais psychanalytiques sur le féminin et le travail de l'art, Bruxelles: La Lettre volée, 1999, p.7-40.
'Tracing Figures of Presence: Naming Ciphers of Absence: Feminism , Postcolonialism and the work of Sutapa Biswas' in Race, Gender and Politics, Minneapolis : University of Minnesota Press, 1999.
'Killing Women and Dying Men' in The Practice of Cultural Analysis: Exposing Interdisciplinary Interpretation, Stanford: University of Stanford Press, 1999, p.75-101.
'Visions du sexe: représentation, féminité et modernité dans les années vingt', in Où en est l'interprétation de l'uvre d'art ?, Paris: Ecole Nationale Supérieure des Beaux-Arts, 2000, p.41-96.
'Avant-Gardes and Partisans Reviewed', in Pollock and After: The Critical Debate, London; New York: Routledge, [2001]. [En collaboration avec Fred Orton. Réédition].
'Modernity and the Spaces of Feminity', in The Visual Culture Reader, London ; New York : Routledge, 2001.
'A History of Absence Belatedly Addressed: Impressionism with and without Mary Cassatt', in The Two Art Histories, Williamstown: Clark Art Institute; New Haven : Yale University Press, 2002, p.123-141.
'The Aesthetics of Difference', in Art History, Aesthetics, and Visual Studies, Williamstown: Clark Art Institute; New haven: Yale University Press, 2002, p 147-174.
'Nude Bodies: Transgressing the Boundaries between Art & Pornography', in The Body: The Darwin Lectures, Cambridge : University of Cambridge Press, 2002, p.94-162.
'Incripciones en lo femenino = Inscriptions in the Feminine', in Los Manifiestos del arte posmoderno: textos de exposiciones 1980-1995, Madrid: Akal/ Arte contemporaneo, p.322-346. [spa].
'Screening the Seventies: Sexuality and Representation in Feminist Practice - a Brechtian Perspective', in The Feminism and Visual Culture Reader, London ; New York: Routledge, 2003, p.76-93.
'Does Art Think?', in Art and Thought, Oxford : Blackwell, 2003.
[Texte], in Art in Question, London : Continuum, 2003, p.130-157.
[Texte], in Fresh Talk Daring Gazes: Conversations on Asian American Art, Los Angeles : California University Press, 2003.
'Feminist Theory: the Visual', in Feminist Theory, Oxford : Blackwell, 2003.
'Holocaust Tourism', in Tourism and Visual Culture, Oslo : Bergen Press, 2003
'Becoming Cultural Studies', in Interrogating Cultural Studies: Theory, Politics and Practice, London : Pluto Press, 2004.
Catalogues
[Texte], in Catalogue Vincent Van Gogh in zijn Hollandse Jaaren, Amsterdam : Rijksmuseum Vincent Van Gogh, 1980, 168 p.
'Feminist Interventions in History: on the Historical, the Subjective and the Textual', in Catalogue Mary Kelly: Interim: The Complete Work, 1984-1989, New York : The New Museum of Contemporary Art, 1990, p.39-52.
[Preface], in Catalogue Bracha Lichtenberg Ettinger: Matrix - Borderlines, Oxford : Museum of Modern Art, 1993, 31 p.
'Crows, Blossoms and Lust for Death: Cinema and the Myth of Van Gogh, the Modern Artist', in Catalogue The Mythologie of Vincent Van Gogh, Tokyo : Asahi National Broadcasting Co.; Amsterdam : John Benjamins, 1993, p.217-239.
'Derrière les moissonneurs: glanant le passé, le féminin et un autre futur d'après l'oeuvre de Bracha Lichtenberg Ettinger', in Catalogue Bracha Lichtenberg Ettinger: Halala-Autistwork, Aix-en-Provence: Arfiac, 1995.
'After the Reapers: Gleaning the Past, the Feminine and another Future from the work of Bracha Lichtenberg Ettinger', in Catalogue Bracha Lichtenberg Ettinger: Halala-Autistwork, Jerusalem : The Israel Museum, 1996, p.78-165.
'Rencontre avec l'histoire: stratégie de dissonance dans les années quatre-vingt et quatre-vingt dix', in Catalogue Face à l'histoire 1933-1996: l'artiste moderne devant l'évènement historique, Paris: Flammarion: Ed. du Centre Pompidou, 1996, p.535-540.
'Conversation with Griselda Pollock (extract) 1989', in Catalogue Mary Kelly: Social Process / Collaborative Action, 1970-1975, London: Phaidon, 1997, p.130-137.
'Abandoned at the Mouth of Hell: Bracha Lichtenberg Ettinger's Eurydice 1992-1996', in Catalogue Patient and Doctor: Memory and Pain, Pori : Art Museum, 1997, p.126-162.
'The Cities and Countries of Modernity: Van Gogh Among His Dutch Contemporaries', in Catalogue Art in the Age of Van Gogh, Toronto : Art Gallery of Ontario, 1998, p.23-64.
'Still Working on the Subject: Feminist Poetics and the Avant-Garde Moment', in Catalogue Rereading Mary Kelly Post-Partum Document, Vienna : Generali Foundation, 1999, p.237-263.
'Nichsapha: Yearning/ Languishing/ The Immaterial Touché of Colour in Painting after Painting after History', in Catalogue Artworking: Bracha Lichtenberg Ettinger: a Retrospective, Bruxelles: Musée des Beaux Arts; Gent : Ludion, 2000, p.45-70.
'Psychic Alchemy: Sexual Objects and Fantasmatic Bodies', in Catalogue Hypermental, Zurich : Kunstaus, 2000, p.21-27.
'Catching and Losing the Sands of Time: The Dialectics of Place and No-Place in Jewish Memory and Being in the work of Lily Markiewicz', in Catalogue Promise, Leeds : The Koeffler Gallery, the University of Leeds Gallery, 2001, p.2-17.
[Texte], in Catalogue Hypermental: Rampant Reality 1950-2000: From Salvador Dali to Jeff Koons, Zurich : Kunsthaus, 2001.
'My Body, Her Body, The Body: The Inhuman Gaze of Hannah Villiger', in Catalogue Hannah Villiger Retrospective, Zurich : Scalo Press, 2001, p.186-203.
'Sans oublier l'Afrique: dialectiques de l'attention/inattention, du voir/ignorer et du connaître/comprendre dans la position de spectateur face à l'oeuvre d'Alfredo jaar', in Catalogue Alfredo Jaar: la politique des images, Zurich: JRP/Ringier, 2007, p.113-135. [fre/eng].
Articles de périodiques
'Vincent Van Gogh and the British Museum', in Burlington Magazine, 1974, vol. 116, n°860, p.671-672.
'What's Wrong with Images of Women?', in Screen Education, 1977, n°24, p.25-34.
'Feminism, Femininity and the Hayward Annual 1978', in Feminist Review, 1979, vol. 1, n°2, p.33-55.
'Three Perspectives on Photography, a Review', in Screen Education, 1979, n°31, p.49-54.
'The Breton Themes: the Meadows of Representation', in Art History, 1980, vol. 3, n°3, p.314-344. [En collaboration avec Fred Orton].
'Artists, Media and Mythologies; Genius, Madness and Art History', in Screen, 1980, vol. 21, n°3, p.57-96.
'Vision, Voice and Power: Feminist Art History and Marxism', in Kvinnovetenskapligtidskrift, 1981, n°4, p.6-30.
'Avant-gardes and Partisans Reviewed', in Art History, 1981, vol. 4, n°3, p.304-327.
'Window-Dressing: A Poster Competition for Dressed to Kill', in Framework, 1981, n°15-17, p.25-29.
'Issue Social Strategies by Women Artists: a Review', in Spare Rib, 1981, n°103, p.49-51.
'The Politics of Art or an Aesthetics for Women', in Feminist Art News, 1981, n°5, p.15-19.
'More than Methodology: Feminism and Film Theory', in Screen, 1982, vol. 23, n°3-4, p.122-126.
'Vision, Voice and Power: Feminist Art History and Marxism', in Block, 1982, n°6, p.2-21.
'Cloisonism?', in Art History, 1982, vol. 5, n°3, p.341-348. [En collaboration avec Fred Orton].
'Women, Art and Ideology: Questions for Feminist Art Historians', in Women's Art Journal, 1983, vol. 4, n°1, p.39-47.
'Jackson Pollock, Painting and the Myth of Photography', in Art History, 1983, vol. 6, n°1, p.114-121.
'Stark Encounters: Modern Life and Urban Work in Van Gogh's Drawings in the Hague 1881-1883', in Art History, 1983, vol. 6, n°3, p.330-358.
'The Hague School at the Royal Academy', in Burlington Magazine, 1983, vol. 125, n°963, p.375-379.
'Woman as Sign: The Representation of Elizabeth Siddall in PreRaphaelite Literature', in Art History, 1984, vol. 7, n° 2 , p.206-227.
'Reviving or Revising Realism?', in Art History, 1984, vol. 7, n°3, p.359-68.
'PreRaphaelitism and Patriarchal Power', in Art History, 1984, vol. 7, n°4, p.480- 494.
'The History and Position of the Contemporary Woman Artist', in Aspects, 1984, n°28, p.1-3.
'What's the Difference?: Feminism, Representation and Sexuality', in Aspects, 1986, n°32, p.2-5.
'Art, Art School and Culture', in Block, 1986, n°11, p.8-18.
'Art, Art School and Culture', in Exposure, 1986, vol. 24, n°3, p.20-33.
'Labour, Modern and Rural: The Contradictions of Representing Handloom Weavers in 1884', in Dutch Crossing, 1987, n°33, p 81-121.
'Women, Art and Ideology: Questions for Feminist Art Historians', in Women's Studies, 1987, vol. 15, n°1-2, p.2-8.
'Labour, Modern and Rural: Representing Handloom Weavers in Brabant in 1884', in Australian Journal of Art, 1987, vol. 6.
'The Feminist Critique of Art History', in The Art Bulletin, sept. 1987, vol. 69, n°3.
'Vicarious Excitement: London, a Pilgrimage by G Dore and B Jerrold 1872', in New Formations, 1988, n°4, p.25-51.
'Power and Visibility in the City', 'Celina Fox: Londoners', 'Peter Jackson: George Scharf's London Sketches and Watercolours of a Changing City, 1820-1850', in Art History, juin 1988, vol. 11, n°2, n. p.
'Van Gogh and the Poor Slaves: Images of Rural Labour as Modern Art', in Art History, sept. 1988, vol. 11, n°3, p.408-432.
'Feminist Interventions in Art's Histories', in Kritische Berichte, 1988, vol. 16, n°1, p 5-14
'Framing Feminism', in Women Artists Slide Library Journal, 1988, n°26, p.22-23.
'Agency and the Avant-Garde: Studies in Authorship and History by Way of Van Gogh', in Block, 1989, n°15, p.5-15.
'Critical Reflections', in Art Forum, fév. 1990, vol. 28, n°6, p.126-127.
'Feminist Interventions, Shifting Terrains', in Afterimage, mars 1990, vol. 17.
'Keynote Address: Can Art History Survive Feminism?', 'More on Firing the Canon - and Going off Half Cocked', in Women Artists News, printemps-été 1990.
'Artemisia Gentileschi: Reading Mary Garrard's Artemisia Gentileschi, The Image of the Female Hero in Italian Baroque Art', in Art Bulletin, sept. 1990, vol. 72, n°3, p.499-503.
'Sidney Geist: Interpreting Cezanne', 'Mary Tompkins Lewis: Cezanne's Early Imagery', 'Theodore Reff: Paul Cezanne, Two Sketchbooks', 'John Rewald: Cezanne and America', 'What Can We Say about Cézanne these Days?', in Oxford Art Journal, 1990, vol. 13, n°1, p.95-101.
'Drawing on a Mother's Experience by Bobby Baker', in Performance Magazine, nov. 1990.
'Don't Take the Pissarro: but Take the Monet and Run! or Memoirs of a Dutiful Daughter', 'Paul Hayes Tucker: Monet in the 90's', 'Richard R. Brettell: Pissarro and Pontoise', in Oxford Art Journal, 1991, vol. 14, pt.2, p.96-103, n. p., n. p.
'Van Gogh and Holland : Nationalism and Modernism', in Dutch Crossing, 1991, n°44, p.45-59.
'The Crime of Candor: Feminist Art Criticism', in Studio Potter, déc. 1991.
'The Politics of Theory: Generations and Geographies: Feminist Theory and the Histories of Art Histories', in Genders, 1993, n°17, p.97-120.
'Trouble in the Archives', 'Fathers of Modern Art and Mothers of Invention', in Differences, 1993, vol. 4, n°3, p.3-14, 91-132.
'Rewriting the Story of Art: Angelica Kauffmann', in Women's Art Magazine, 1993, n°50, p.4-8.
'Mieke Bal: Reading Rembrandt', in Art Bulletin, 1993, vol. 75, n°3, p.529- 535.
'Critical Critics and Historical Critiques: The Case of the Missing Women', in University of Leeds Review, 1993, n°36, p.211-247.
'Bracha Lichtenberg: Matrix, Beyond the Phallus', in Women's Art Magazine, janv.-fév. 1994, n°56, p.12-15.
'Proximity and Desire Sexuality in the Spaces of Femininity', in Discourse, 1994, vol. 15, n°1, p.1-64.
'The Ambivalence of the Maternal Body: Psychoanalytic Readings of the Legends of Van Gogh', in International Journal of Psychoanalysis, 1994, vol. 75, n°4, p.801-813.
'uvres Autistes', in Versus, 1994, n°3, p.14-18.
'Pollock on Greenberg', in Art Monthly, juillet-août 1994, n°178, p.14, 17-18.
'With my Own Eyes': Fetishism and the Colour of the Labouring Body and the Color of its Sex', in Art History, sept. 1994, vol. 17, n°3, p.342-382.
'Shooting at the Father's Corpse: The Feminist Art Historian as Produce', in The Journal of Aesthetics and Art Criticism, automne 1994, vol. 52, n°4.
'The Work of Bracha Lichtenberg Ettinger: an Introduction', in Third Text, automne-hiver 1994, n°28-29, p.61-70.
'Trouble in the Archives', in Agenda, nov. 1994-fév. 1995, n°39-40, p.33-40.
'Power of Feminist Art', in Women's Art Magazine, janv.-fév. 1995, n°62.
'What's Critical about New Feminist Criticism?', in Women's Art Magazine, nov.-déc. 1995, n°67.
'Dangerous Places: Ponar - an Installation by Pam Skelton', in Third Text, automne 1996, n°36, p.45-53.
'Into Inside the Visible', in Make, août-sept. 1996, n°71, p.25-28.
'Theory, Ideology, Politics: Art History and its Myths', in Art Bulletin, mars 1996, vol. 78, n°1, p.16-22.
'The Presence of the Future: Feminine and Jewish Difference', in Issues in Architecture, Art & Design, automne-hiver 1997, vol. 5, n°1, p.37-63.
'To Inscribe in the Feminine: A Kristevan Impossibility? Or Femininity, Melancholia and Sublimation', in Parallax, 1998, n°8, p.81-118.
'La Peinture comme un coup d'oeil en arrière qui ne tue pas: à la rencontre d'Eurydice (1992-1996) de Bracha Lichtenberg-Ettinger dans Face à l'Histoire', in Verso Arts et Lettres, oct. 1997, n°8, p.8-16.
'A Hungry Eye', in Sight and Sound, nov. 1998, p.26-30
'Griselda Pollock y Mary Kelly', in Zehar, printemps 1998, n°36, p.30-37, [Entretiens entre Griselda Pollock et Mary Kelly].
'Old Bones and Cocktail Dresses: Louise Bourgeois and the Question of Age', in Oxford Art Journal, 1999, vol. 22, n°2, p.71-101.
'Yoyoi Kusama: Three Thoughts of Feminity, Creativity and Elapsed Time', in Parkett, 2000, n°59, p.107-123.
'Dossier Colette Deblé: introduction: fragments d'un musée', in Verso, Avril 2000, n°18, p.4.
'Om Kanoer och kulturkrig (On Canons and Cultural War)', in Paletten, 2000, vol. 61, n°1, p.3-6.
'Painting as a Backward Glance That Does not Kill: Fascism and Aesthetics', in Renaissance and Modern Studies, 2001, n°43, p.116-144.
'The Grace of Time: Narrativity, Sexuality and a Visual Encounter in the Virtual Feminist Museum', in Art History, avril 2003, vol. 26, n°2, p.174-213.
'Responses to Mieke Bal's Visual Essentialism and the Object of Visual Culture: Visual Culture and its Discontents - Joining the Debate', in Journal of Visual Culture, août 2003, vol. 2, n°2, p.253-260.
'Cockfights and Other Parades: Gesture, Difference and the Staging of Meaning in Three Paintings by Zoffany, Pollock and Krasner', in Oxford Art Journal, 2003, vol. 26, n°2, p.141-165.
"Griselda Pollock: féminisme et histoire de l'art" [Débat avec Jacqueline Lichtenstein], in Perspective, 2007-4, p.568-584.
"Femmes artistes / artistes femmes", in Critique d'art, printemps 2008, n°31, p.17-20. [fre/eng].
"Louise Bourgeois: seeing red", in Parkett, juin 2008, n°82, p.54-61(eng), p.62-71(ger).