GREEN Charles - Archives de la critique d'Art

Charles GREEN

Biographie

Charles Green is Professor of Contemporary Art in the School of Culture and Communication at the University of Melbourne. Author of Peripheral Vision (Craftsman House, 1996) and The Third Hand (U Minnesota Press, 2001), he recently published a history of biennials in contemporary art,Biennials, Triennials and Documenta: The Exhibitions that Created Contemporary Art (Wiley Blackwell, 2016),which he co-authored with Associate Professor Anthony Gardner (Oxford University), assisted by an Australian Research Council Discovery Grant. He also has expertise as a curator of contemporary art (through a five-year, 2001-2006 appointment as Adjunct Senior Curator of Contemporary Art at the National Gallery of Victoria, and has researched and published in the emerging area of contemporary art curatorship with the assistance of an ARC Discovery grant. Since 1989 he has worked in collaboration as one artist with Lyndell Brown and in 2007, they were Australia’s Official War Artists, deployed to Afghanistan and Iraq. The following years of research and work culminated in the 2014 book Framing Conflict: Contemporary War and Aftermath Macmillan Palgrave) co-authored by Lyndell Brown and Jon Cattapan; this area of research has been supported by two Australia Research Council Discovery Grants and an Australian Research Council Linkage Grant. Green has also served on several national arts organization committees, including the Commissioner’s Council for Australia at the Biennale of Venice (2011-17), for which he was also Deputy Commissioner between 2013-2015.

Bibliographie

Ouvrages de l'auteur et directions d'ouvrages

  • Biennials, Triennials and Documenta: The Exhibitions that Created Contemporary Art, Chichester : Wiley Blackwell, 2016.
    296 p. [En collaboration avec Anthony Gardner].
  • The Third Hand : Collaboration in Art from Conceptualism to Postmodernism, Minneapolis : University of Minnesota Press, 2001.
    246 p.
  • Peripheral Vision : Contemporary Australian Art 1970-94, Sydney : Craftsman House, 1991.
    153 p.

Ouvrages collectifs

  • "The War at home", in The Politics of Artists in War Zones: Art in Conflict, London : Bloomsbury Visual Arts, 2024.
    p.119-135. [eng].
  • [Textes], in Vitamin D3: Today’s Best in Contemporary Drawing, Londres : Phaidon, 2021.
    [eng].
  • "Postcolonial+Art : Where Now", in Postcolonial : Where Now, Sydney : Artspace, 2001.
    p.3-9. [Editeur].
  • "The Art of Friction", in (dis)LOCATIONS, Karlsruhe : Z.K.M, 2001.
    p.62-73.
  • "The Global Significance of Western Desert Painting : Messages from a Collection", in Aborigena, Milan : Electa, 2001.
  • "What is to be done with the Sydney Biennale ?", in Critical and theoretical speculations on the 12th Biennale of Sydney, Sydney : Artspace, 2000.
    p.37-48. [Edition en collabaration avec Susan Brest].
  • "Dale Hickey", "Robert Hunter", "Patrick Pound", "Robert Rooney" , "David Wadelton", in Australian Painting Now, Sydney : Craftsman House, 2000.
    p.148, 152, 232, 244, 300.
  • "Avoiding Art, Desperately Seeking Photography : Revising the History of Photography by Post-object Art", in What is this thing called photography ?, Sydney : Pluto Press, 2000.
    p.17-36.
  • "The Failure of Australian Art", in Beyond the Future : Asia-Pacific Triennial Conference Proceedings, Brisbane : Queensland Art Gallery, 2000.
    [Actes du colloque].
  • "Everyday", in In the every day : critical and theoretical speculations on the 11th Biennale of Sydney, Sydney : Artspace, 1998.
    p.42-49. [Edition en collaboration avec Susan Brest].
  • "The Concentric Circles of Darkness and Change", in Waisler & Malik, Ojai : Edwin House, 1998.
    p.93-103.
  • "Scepticism about Improvement", in A Small History of Photography, Melbourne : Centre for Contemporary Photography, 1997.
    p.6-11.
  • "Stephen Killick", in Stephen Killick, Melbourne : Deutscher Gertrude Street, 1989.

Catalogues

  • [Texte], in Catalogue Tea for two : une saison de collaborations artistiques à la Villa du Parc, Annemasse : Villa du Parc, 2014.
    [fre/eng].
  • "Your Friends Do Not Forget: Tom Nicholson", in Catalogue Critical Response, Sydney : Ivan Dougherty Gallery, 2000.
  • "Grzegorz Klaman in India", in Catalogue Klaman, Gdansk : Centre for Contemporary Art Laznia, 1999.
    p.35-42.
  • "The Artist as Cannibal", in Catalogue David Wadelton: Pictorial Knowledge, Geelong : Geelong Art Gallery, 1998.
  • "Memory, Ethics and Archives : Joseph Kosuth in Australia", in Catalogue Sacred and Profane : 1998 Telstra Adelaide Visual Arts Program, Adelaide : Telstra Adelaide Festival, 1998.
    p.54-61.
  • "Marina Abramovic : Escape", in Catalogue Remanence, Melbourne : Melbourne International Festival of the Arts, 1998.
    p.10-11.
  • "The Moment of Aesthetic Withdrawal", in Catalogue Lightness and Gravity, Melbourne : Museum of Modern Art, 1997.
    p.16-21.
  • "Fault Lines", in Catalogue "Rites for an Anxious Spring" : Selected Acquisitions, Melbourne : Museum of Modern Art at Heide, 1996.
  • "Redefining the Centre : Aboriginal Painting and the Ownership of Abstraction", in Catalogue Voices of the Earth, Mumbai : Bangalore : Gallery Gabrielle Pizzi, 1996.
    p.13-16.
  • "City of Angels", in Catalogue Janenne Eaton, Canberra : Drill Hall Gallery, Australian National University, 1996.
  • "Words and Images : the Fate of Performance Art", in Catalogue 25 Years of Performance Art in Australia, Sydney : Ivan Dougherty Gallery, 1994.
    p.15-17.
  • "Sandro Chia", in Catalogue Power Works from the MCA Collection, Wellington : Museum of New Zealand, 1994.
    p.8-9.
  • "Phillip George", in Catalogue Phillip George : Nine Mnemonic Notations, Sydney : Sydney University ; The Tin Sheds, 1994.
  • "Patrick Pound", in Catalogue Post Code : A Travelling Show/Patrick Pound, Adelaide : Experimental Art Foundation, 1994.
  • "Lynne Roberts-Goodwin", in Catalogue Lynne Roberts-Goodwin : Remote-Half-Light, Melbourne: Australian Centre for Contemporary Art ; Perth : PICA, 1994.
  • "Aleks Danko", in Catalogue Aleks Danko : Zen Made in Australia, Melbourne : University of Melbourne Gallery, 1994.
    p.2-17.
  • "Lynne Roberts-Goodwin", in Catalogue Lynne Roberts-Goodwin, Sydney : Australian Centre for Photography, 1993.
  • "Fiction and Treachery : Contemporary Australian Art", in Catalogue 1993 Australian Perspecta, Sydney : Art Gallery of New South Wales, 1993.
    p.23-26.
  • [Texte], in Catalogue Eleven sons : Domenico de Clario, Sydney : Mori Gallery, 1992.
  • "Western Desert Paintings and Contemporary Culture", in Catalogue Aboriginal Paintings from the Desert, Moscow : Moscow Union of Artists, 1991.
    p.33-38.
  • "Animals for Art", in Catalogue 100 Artists against animal experimentation, Melbourne : Deutscher Brunswick Street Gallery, 1990.
  • "Trefor Prest", in Catalogue Trefor Prest, Melbourne : Pinacotheca, 1990.
  • "Robert Rooney", in Catalogue Robert Rooney, Melbourne : Monash University Gallery, 1990.
    p.4-10.
  • "Persistent Subjectivity : Revaluing Robert Hunter", in Catalogue Robert Hunter, Melbourne : University of Melbourne Gallery, 1989.
  • "Living in the Seventies", in Catalogue Off the Wall/In the Air : A Seventies Selection, Melbourne : Monash University Gallery and Australian Centre for Contemporary Art, 1989.
    p.5-20.
  • "Bernhard Sachs", in Catalogue Bernhard Sachs, Melbourne : Reconnaissance Gallery, 1988.

Articles de périodiques

  • "TarraWarra Biennial 2012", Artforum, déc. 2012, vol. 51, n°4.
    p.297-298.
  • "Juan Davila", Artforum, janvier 2007, vol. XLV, n°5.
    p.269-270.
  • "Lee Bull", Artforum, mai 2005, vol. XLIII, n°9.
    p.261.
  • "Group Soul : who owns the artist fusion ?", Third Text, nov. 2004, vol. 18 (6), n°71.
    p.595-608.
  • "Tracey Moffatt", Artforum, sept. 2004, vol. XLII, n°10.
    p.284.
  • "Patricia Piccinini", Artforum, mai 2002, vol. XL, n°9.
    p.194.
  • "Sung Neung-Kyung", Artforum, avril 2002, vol. XL, n°8.
    p.148.
  • "Euan Heng", Artforum, oct. 2001, vol. XL, n°2.
    p.170.
  • "Future Monster", Artext, août 2001, n°74.
    p.74-75.
  • "Papunya Tula", Artforum, déc. 2000, vol. XXXIX, n°4.
    p.157-158.
  • "Animal Magnetism : The Enigmatic Signifier and Lynne Roberts-Goodwin", Art and Australia, 2000, vol. 38, n°1.
    p.104-111.
  • "The Biennale of Sydney 2000", Artforum, sept. 2000, vol. XXXIX, n°1.
    p.186-187.
  • "David Haines, Joyce Hinterding", Artext, août-oct. 2000, n°70.
    p.90-91.
  • "Doppelgangers and the Third Force : the Artistic Collaboration of Gilbert & George and Marina Abramovic/Ulay", Art Journal, été 2000, vol. 59, n°2.
    p.36-45.
  • "Callum Morton", Artforum, mars 2000, vol. XXXVIII, n°7.
    p.140.
  • "Third Asia-Pacific Triennial", Art/Text, février 2000, n°68.
    p.94.
  • "Art and Politics : Living Here Now – Australian Perspecta 1999", Art and Australia, 2000, vol. 37, n°3.
    p.358-360.
  • "Beyond the Future : the Third Asia-Pacific Triennial", Art Journal, hiver 1999, vol. 58, n°4.
    p.81-87.
  • "Guan Wei", Art/Text, 1999-2000, n°67.
    p.94.
  • "Disappearance and Photography in Post-object Art : Christo and Jeanne-Claude", Afterimage, nov. 1999, vol. 27, n°3.
    p.13-15.
  • "Signs of Life", Artforum, sept. 1999, vol. XXXVIII, n°1.
    p.178.
  • "Art by Long-distance : Joseph Kosuth and the Assistance of Others", Visual Arts and Culture, sept. 1999, vol. 1, n°2.
  • "Have a Nice Day Mr Rooney", Art/Text, août-oct. 1999, n°66.
    p.70-75.
  • "Constructed in the field of the other", Art/Text, mai 1999, n°65.
    p.92.
  • "Superflex", Artforum, avril 1999, vol. XXXVII, n°8.
    p.133.
  • "Ian Burn and Artistic Collaboration", Art Monthly Australia, 1998-1999, n°116.
    p.7-10.
  • "Bill Henson", Artforum, déc.1998, vol. XXXVII, n°4.
    p.141.
  • "Sol LeWitt", Art/Text, 1998-1999, n°63.
    p.82-83.
  • "Deciphering Multiples : Body and Gaze", Art and Australia, hiver 1998, vol. 35, n°4.
    p.479-481.
  • "Kathy Temin", Artforum, oct. 1998, vol. XXXVII, n°2.
    p.136.
  • "Daily Double", Artforum, sept. 1998, vol. XXXVII, n°1.
    p.65.
  • "Stockholm Syndrome : Every Day, the 11th Biennale of Sydney", Eyeline, été 1998, n°38.
    p.21-23.
  • "Construction in Process 4", Art/Text, août-oct. 1998, n°62.
    p.97-98.
  • "Vivan Sundaram : The Nervous System", World Art, 1998, n°18.
    p.54-59.
  • "Ninth Indian Triennale", Art/Text, mai 1998, n°61.
    p.91-92.
  • "Ada or Ardor", Artforum, avril 1998, vol. XXXVI, n°8.
    p.122-123.
  • "Louise Weaver", Artforum, février 1998, vol. XXXVI, n°6.
    p.102-103.
  • "Soft Cells : Lim Young-Sun", World Art, février 1998, n°16.
    p.54-61.
  • "Pinacotheca", "Thoughtful Art : Ian Burn", Art and Australia, hiver 1997, vol. 34, n°4.
    p.484-489, 466-467.
  • "Shane Cotton", Artforum, nov. 1997, vol. XXXVI, n°3.
    p.127.
  • "Sabina Ott : the Ghost in the Machine", "General Idea", World Art, août 1997, n°14.
    p.26-28, 89.
  • "Tony Clark", Artforum, mai 1997, vol. XXXV, n°9.
    p.117-118.
  • "Polixeni Papapetrou", Artforum, mars 1997, vol. XXXV, n°7.
    p.103.
  • "Monumental Anonymity", "Paris : By Night", World Art, nov. 1996, n°4.
    p.14-15, 90-91.
  • "Lyon Biennale", World Art, sept. 1996.
    p.82-83.
  • "Passions Privées", Art Monthly Australia, mai 1996, n°89.
  • "Sally Smart", Artforum, mai 1996, vol. XXXIV, n°9.
    p.114.
  • "False Tales : Lynne Roberts-Goodwin", Art and Australia, février 1996.
    p.285-286.
  • "Downtown : Arkley, Rooney, Ruscha", Artforum, nov. 1995, vol. XXXIV, n°3.
    p.102.
  • "Mike Stephenson", Artforum, mai 1995, vol. XXXIII, n°7.
    p.109.
  • "White Apron Black Hands", Artforum, déc. 1994, vol. 33, n°4.
    p.94.
  • "Richard Dunn", Artforum, oct. 1994, vol. XXXIII, n°2.
    p.114.
  • "Toni Grand", World Art, juin 1994, vol. 2, n°1.
    p.108.
  • "Domenico de Clario", Artforum, juin 1994, vol. XXXII, n°10.
    p.104.
  • "Working on Water : Jennifer Turpin", World Art, mars 1994, n°2.
    p.48-51.
  • "Luminaries", "Robert Rooney", Art and Text, janvier 1993, n°47.
    p.80, 81.
  • "Ian Burn", Artforum, janvier 1994, vol. XXXII, n°5.
    p.104.
  • "Melbourne Report", Art and Australia, janvier 1994, vol. 31, n°2.
    p.184-186.
  • "The Dark Wood : Domenico de Clario", World Art, nov. 1993, n°1.
    p.92-99.
  • "Brett C" Tim Johnson", Art and Text, sept. 1993, n°46.
    p.46.
  • "Melbourne Medley", Art and Text, mai 1993, n°45.
    p.10-11.
  • "Violent Art : Peter Burgess and Sue Williams", Art Monthly Australia, mai 1993, n°59.
    p.22-24.
  • "Sydney Biennale", Artforum, avril 1993, vol. 31, n°7.
    p.110.
  • "Art as Printmaking : The Deterritorialized Print", Art Monthly Australia, avril 1993, n°58.
    p.10-13.
  • "Inge King", Artforum, mars 1993, vol. XXXI, n°6.
    p.108.
  • "Lyndal Jones", Artforum, janvier 1993, vol. XXXI, n°4.
    p.98.
  • "Zones of Love", Artforum, déc. 1992, vol. XXXI, n°3.
    p.108.
  • "Gilgul", Artforum, nov. 1992, vol. XXXI, n°2.
    p.122.
  • "Wilma Tabacco", Artforum, oct. 1992, vol. XXXI, n°1.
    p.108.
  • "Lost and Found : The Empire of Death", Binocular : Focusing/Time/Lapses, oct. 1992, n°2.
    p.25-42.
  • "Unofficial World : Postcolonialism and the Metropolis", Art and Text, sept. 1992, n°43.
    p.38-41, 96-97.
  • "David Wadelton", Art Monthly Australia, juillet 1992, n°51.
    p.13-15.
  • "A Constructed Reality", Art and Text, mai 1992, n°42.
    p.107-108.
  • "Annette Bezor", Artforum, avril 1992, vol. XXX, n°8.
    p.112.
  • "Tony Coleing", Artforum, février 1992, vol. XXX, n°6.
    p.132.
  • "Terri Bird and Fiona Macdonald", Artforum, déc. 1991, vol. XXX, n°4.
    p.120.
  • "Debra Dawes", Artforum, oct. 1991, vol. XXX, n°2.
    p.152.
  • "Abstract ?", West, été 1991, vol. 3, n°2.
    p.14-20. [Avec Stephen Wickham].
  • "John Olsen", Artforum, été 1991, vol. XXIX, n°10.
    p.130.
  • "1991 McCaughey Prize", Agenda, mai 1991, n°17.
    p.28.
  • "Simone Mangos", Artforum, mai 1991, vol. 29, n°9.
    p.162.
  • "Peter Tyndall", Artforum, avril 1991, vol. XXIX, n°8.
    p.141.
  • "Janenne Eaton", Artforum, février 1991, vol. XXIX, n°6.
    p.141.
  • "Inverse Warholism", Tension, déc. 1990, n°24.
    p.13-14.
  • "Anne Zahalka", Artforum, déc. 1990, vol. XXIX, n°4.
    p.154.
  • "Nick Nedelkopoulos", Flash Art, nov. 1990, n°155.
    p.168.
  • "Jon Cattapan", Artforum, nov. 1990, vol. XXIX, n°3.
    p.184.
  • "Philip Hunter", Artforum, oct. 1990, vol. 29, n°2.
    p.186.
  • "Shadow of Presence", Tension, août 1990, n°22.
    p.54-55.
  • "Eric Cameron", "Juan Davila", Artforum, mai 1990, vol. XXVIII, n°9.
    p.198, 207.
  • "Davida Allen", Artforum, avril 1990, vol. XXVIII, n°8.
    p.190.
  • "Imprint Editorial : Slaves of the Art Cult", Imprint, mars 1990, vol. 25, n°2.
    p.4-5.
  • "Joan Letcher", "Mike Parr", Artforum, février 1990, vol. 28, n°6.
    p.156.
  • "How Painting recaptured Melbourne", Art Monthly Australia, déc. 1989, n°27.
    p.8-10.
  • "Backlash", Tension, déc. 1989, n°19.
    p.9-11.
  • "A Chronicle of Australian Art : 1980-1990", Tension, déc. 1989, n°19 (hors-série).
    p.12-84.
  • "Nikolaus Lang", Artforum, déc. 1989, vol. 28, n°4.
    p.156.
  • "Graeme Hare", Artforum, nov. 1989, vol. XXVIII, n°3.
    p.168.
  • "Pansy Napangati", Artforum, oct. 1989, vol. XXVIII, n°2.
    p.192.
  • "The Art of Travel", Tension, oct. 1989, n°18.
    p.19-23.
  • "The State of Things", Tension, août 1989, n°17.
    p.14.
  • "Rewriting the Seventies", Art Monthly Australia, juillet 1989, n°22.
    p.7-8.
  • "Persistent Subjectivity : Revaluing Robert Hunter", Tension, avril 1989, n°16.
    p.20-22.
  • "Bernhard Sachs", Tension, déc. 1988, n°15.
    p.8-9.
  • "Seduction in the Landscape", Art and Australia, summer 1988, vol. 26, n°2.
    p.290-295.
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