Le Discours des autres, Romainville : Même pas l’hiver, 2022. 279 p. [Ed. et trad.de Gaëtan Thomas].
Beyond recognition : representation, power and culture, Los Angeles : University of California Press, 1992. 386 p.
Ouvrages collectifs
"The Allegorical impulse : toward a theory of postmodernism", in Art and photography, London : Phaidon, 2003. [Réédition de l’article paru dans October, été 1980, n°13].
"The Allegorical impulse : toward a theory of postmodernism", in The art of art history : a critical anthology, Oxford : Donald Preziosi : Oxford University Press, 1998. [Réédition de l’article paru dans October, été 1980, n°13].
"Ord fra jorden : word from the earth", in UKS : Forum for Samtidskunst, Norway : [UKS], 1997. p.70-75.
"[Texte]", in Art after modernism : rethinking representation, New York : New Museum of contemporary art Boston : David. R. Godine Publ., 1992.
"Outlaws : gay men in feminism", in Men in feminism, New York : Alice Jardine and Paul Smith ; Londres : Methuen, 1987. p.219-232.
"From work to frame, or is there life after the death of author ?", in Implosion : ett postmodernt perspektiv = a postmodern perspective, Stockholm : Moderna Museet, 1987. p.207-212.
"The Yen for art", in Discussions in contemporary culture, Seattle : Bay Press, 1987. p.16-23, (Dia Art Foundation).
[Texte], in What is the sexual difference ?, New York : Afterimage , 1985.
"The Discourse of others : feminists and postmodernism", in The Anti-Aesthetic : essays on postmodern culture, Seattle : Bay Press, 1983. p.57-77.
"Back to the studio = Retour à l’atelier", in Art 82 : les événements de l’art contemporain dans le monde, Paris : Le Robert, 1983. p.162-163. [Réédition de l’article paru dans Art in America, janvier 1982, n°1].
Catalogues
"Earthwords", in Catalogue C’est pas la fin du monde : un point de vue sur l’art des années 80, Rennes : Centre d’Histoire de l’Art Contemporain, 1992. p.43-57.
"Giulio Paolini", in Catalogue Giulio Paolini, New York : Marian Goodman Gallery, 1987.
"Posing", in Catalogue Difference : on representation and sexuality, New York : New Museum of Contemporary Art, 1985. p.5-8.
"[Texte]", in Catalogue Laurie Anderson : works from 1969 to 1983, Philadelphie : Institute of Contemporary Art : University of Pennsylvania, 1984.
"Under arrest", in Catalogue The Heroic figure, Houston : Contemporary Arts Museum, 1984. p.13-16.
"The Indignity of speaking for others : an imaginary interview", in Catalogue Art and social change, s.l.: s.n., 1983. [Repris dans Bulletin1982-1983, 1983, p.83-85.].
"[Texte]", in Catalogue Barbara Kruger : we won’t play nature to your culture, London : Institute of Contemporary Arts, 1983.
"Justen Ladda", in Catalogue Wave Hill 1982 : new perspectives, New York : Wave Hill, 1982.
"Philip Johnson : history, genealogy, historicism", in Catalogue Philip Johnson : processes the Glass House 1949 and the ATT Corporate Headquater 1978, New York : Institute for Architecture and Urban Studies, 1978. p.2-11.
"Philip Johnson : history, genealogy, historicism", in Catalogue Philip Johnson : processes the Glass House 1949 and the ATT Corporate Headquater 1978, New York : Institute for Architecture and Urban Studies, 1978. p.2-11.
Articles de périodiques
"Nombres impropios : lothar Baumgarten y la etnografia critica = Improper names : lothar Baumgarten and critical ethnography’", Kalias, 1992, vol.4, n°8. p.38-49.
"The Global issue : a symposium", Art in America, juillet 1989. p.88-89.
"‘Interview with Craig Owens, February 27, 1987", Social Text, 1987, n°27. p.55-71. [Entretien avec Anders Stephanson].
"Improper names", Art in America, oct. 1986. p.126-134, p.187.
"Analysis logical and ideological", Art in America, mai 1985. p.25-31.
"Commentary : the problem with puerilism", Art in America, été 1984. p.162-163.
"The Medusa Effect or the specular ruse", Art in America, janvier 1984, vol.72, n°1. p.97-105.
"Repetition and difference", Art in America, sept. 1983. p.130-132. [Repris in Catalogue Allan Mc Collum : surrogates, Londres : Lisson Gallery, 1985, p.5-8.].
"William Wegman’s psychoanalytic vaudeville", Art in America, mars 1983. p.101-109.
"Mark Tansey at Borgenicht", Art in America, février 1983. p.137-138.
"Honor, power and the love of women", Art in America, janvier 1983. p.9-13.
"Bayreuth ’82’", Art in America, sept. 1982. p.132-139, p.191.
"Sherrie Levine at A&M Artworks", Art in America, été 1982. p.148.
"Representation, appropriation and power’, ‘Phantasmagoria of the media’, ‘Sarah Charlesworth at 421 West Broadway", Art in America, mai 1982, vol.70, n°5. p.9-21, p.98-99, p.141.
"Michael Uhlenkott and Jeffrey Valance at LACE", Art in America, mars 1982. p.155-156.
"Back to the studio", Art in America, janvier 1982, n°1. p.99-107.
"The Critic as realist", Art in America, sept. 1981. p.9-11.
"Sects and language", Art in America, été 1981, vol.69, n°6. p.11-17.
"Telling stories", Art in America, mai 1981. p.129-135.
"Amplifications : Laurie Anderson’, ‘Robert Longo at Metro Pictures’, ‘The Pro-scenic event", Art in America, mars 1981. p.121-123, p.125-126, p.128-31.
"Robert Wilson : tableaux", Art in America, nov. 1980, vol.68, n°9. p.114-116.
"The Allegorical impulse : toward a theory of postmodernism [part 2]", October, été 1980, n°13. p.58-80.
"The Allegorical impulse : toward a theory of postmodernism [part 1]", October, printemps 1980, n°12. p.67-86.
